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Chinese stage costumes reflect the exquisite beauty pursued by traditional Chinese aesthetics. The image of Zhao Yun (?-229), a historical figure of the Three Kingdoms Period (220-280) and the hero in the famous Peking Opera The Slopes of Changban, serves as a good example. In the Changban hillside battle, Zhao Yun ventures alone into the enemy camp to rescue Liu Bei (161-223), his master. The story displays Zhao Yun's loyalty, valiance and heroic bearing. Onstage, Zhao Yun wears red facial makeup (symbolizing loyalty and heroism), a splendid robe, and a dragon-design cape, with four triangular streamers waving on his back. With his agile movements, the streamers fly, and the robe and ornaments gleam, thus vividly displaying a valiant and heroic image on the stage 去书内
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  • 用户823522 用户823522

    Chinese stage costumes reflect the exquisite beauty pursued by traditional Chinese aesthetics. The image of Zhao Yun (?-229), a historical figure of the Three Kingdoms Period (220-280) and the hero in the famous Peking Opera The Slopes of Changban, serves as a good example. In the Changban hillside battle, Zhao Yun ventures alone into the enemy camp to rescue Liu Bei (161-223), his master. The story displays Zhao Yun's loyalty, valiance and heroic bearing. Onstage, Zhao Yun wears red facial makeup (symbolizing loyalty and heroism), a splendid robe, and a dragon-design cape, with four triangular streamers waving on his back. With his agile movements, the streamers fly, and the robe and ornaments gleam, thus vividly displaying a valiant and heroic image on the stage.

    2026-01-07 喜欢(0) 回复(0)

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