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  term refers to vim and vigor found in a great work of art. It first emerged among comments on famed persons in the Wei and Jin period. Later, it was brought into the field of artistic criticism. The Tang Dynasty's theory on calligraphy adopted the term to describe the artistic features of a calligraphic work. In his essay titled "Subsequent Commentaries on Calligraphy," Jiang Kui of the Song Dynasty further argued, on the basis of the concept of "vim and vigor," that the merit of a calligraphic work is jointly determined by the calligrapher's moral character, origin of his style, skill, innovation and the kind of brush and paper he uses. The term gained its popularity when Ming Dynasty's Mao Kun used it in his critical essays. He praised Records of the Historian as its classic example and spoke highly ofterm refers to vim and vigor found in a great work of art. It first emerged among comments on famed persons in the Wei and Jin period. Later, it was brought into the field of artistic criticism. The Tang Dynasty's theory on calligraphy adopted the term to describe the artistic features of a calligraphic work. In his essay titled "Subsequent Commentaries on Calligraphy," Jiang Kui of the Song Dynasty further argued, on the basis of the concept of "vim and vigor," that the merit of a calligraphic work is jointly determined by the calligrapher's moral character, origin of his style, skill, innovation and the kind of brush and paper he uses. The term gained its popularity when Ming Dynasty's Mao Kun used it in his critical essays. He praised Records of the Historian as its classic example and spoke highly of

  2026-05-25 喜欢(0) 回复(0)