
Paralysis & Epiphany
WERTHER
Joyce’s use of realism and symbolism amplifies the theme of stagnation.
His meticulous descriptions of Dublin’s streets, pubs, and homes—dingy,
cramped, and oppressive—mirror the inner lives of his characters. The
recurring imagery of darkness, cold, and closure (closed bazaars, locked
doors, falling snow) reinforces the sense of entrapment, while symbols
like the clay pipe, the broken chain in “Eveline,” and the snow in “The
Dead” serve as silent metaphors for unfulfilled lives. Even language
itself becomes a tool of paralysis: characters often communicate in
clichés, platitudes, or silence, unable to express their deepest desires
or fears, as seen in the stilted conversations of “A Painful Case,”
where Mr. Duffy and Mrs. Sinico’s failed relationship is a casualty of
emotional repression.
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